Latest Updates

Sairaat’s Nagraj Manjule to direct Big B
Akshay Kumarto be seen in new avatar in Gold
Vidya Balan to do another woman-oriented film
PeeCee signsPankaj Parashar for Hindi film
Nikhil Advani’s Baazaarto roll, hunt on for leading lady

Screen Short

Occasionally, on this page, we crunch some numbers to examine where the Indian film industry stands vis-à-vis the major film markets globally on various parameters.

In one such recent study, (Chinese Checkers, issue dated November 19, 2016), we had compared the Indian and Chinese box-office data and observed that despite both countries having a similarly sized population, our Eastern neighbor outperforms us by a multiple of a whopping 10 or more on almost every count – the size of the annual domestic box office, as well as the collections clocked by the highest-grossing domestic and imported films.

As we had mentioned in that note, the substantial Chinese lead can partially be attributed to the high degree of protection enjoyed by the local film industry there, with the authoritarian state restricting the number of foreign films that can be exhibited in China, and even that on unfavorable commercial terms and subject to stringent censorship.

However, another important factor that causes India to lag behind China is the vastly different levels of exhibition infrastructure available in both countries.  This week, we are exploring India’s place on the global exhibition map in further detail.

While the ‘multiplexisation’ of Indian exhibition in the last couple of decades has undoubtedly seen a significant change in the national screen count, is it adequate for a country of our size? To answer that question, we have compiled a list of some of the major film centres around the world and mapped the number of screens in these countries with their respective populations. Take a look at the table below which is arranged in descending order of screen density: 

Screen Density In A Cross-Section Of International Film Markets

CountryNumber of ScreensPopulation*People Per ScreenGlobal Rank –

Population

Global Rank –

Film Market Size

USA40,475322 million7,95031
New Zealand4204.53 million10,783127 
France5,70064.4 million11,297227
Australia2,08024 million11,524539
Spain4,00046.12 million11,5312814
Canada3,00035.94 million11,98038 
UK4,11564.72 million15,727213
Germany4,69280.69 million17,197168
Italy3,40059.8 million17,5882312
South Korea2,49250.29 million20,182276
Mexico5,977127.02 million21,2511010
Singapore2235.60 million25,130113 
China39,1941.38 billion35,10912
Russian Federation4,020143.46 million35,686911
Japan3,437126.57 million36,827114
Argentina90043.42 million48,2413215
Brazil3,098207.85 million67,091513
India8,5001.31 billion154,24125

*Source: United Nations Population Division, rounded-off

It’s a simple table to read: with 40,475 screens serving a population of around 32 crore, less than 8,000 people are served by each screen in the United States – the third most populous nation on earth, and the world’s largest film market.

Unflatteringly, despite being the world’s most prolific film producer, the second most populated and the fifth largest film market by revenue, you have to scroll to the bottom of the list to find India. Further, it’s not just that India ranks lowest amongst its peers in terms of screen availability per person, the quantum of the gap it has to bridge to be comparable with the other markets is formidable too. Leave aside the nations at the top of the table, like the US or New Zealand that have 15 to 20 times our screen density; even the second lowest ranked market in this table, Brazil, serves much less than half the people each screen in India caters to.

What is also important to note is that the 1.54 lakh people per screen figure for India is an average, and therefore most likely disguises even greater screen scarcity for large swathes of the country at the ground level. Case in point: as many as 17 screens at 4 multiplex properties are accessible in less than a five minute drive from our office in Andheri (West), Mumbai. That is more than the number of screens serving entire cities – state capitals, at that – like Bhopal, Patna, Bhubaneswar and Ranchi. It would be interesting and informative to explore the inter-city screen density in India in further detail and we shall do so soon in a forthcoming issue.

 

 

 

 

 

 

Nitin Tej Ahuja
Collection Chart
As on February 18th, 2017
FilmsWeekWeeklyTotal
Jolly LL.B 21
71.87Cr
71.87Cr
Horror Night
1
14K
14K
The Great Leader Kanshiram1
10k
10k
Rings**
1
2Cr
2Cr
Alif249K2.46L
Na Raja - Na Rani - Third Man210K30K
More

Featured Video

Most Viewed Articles

Today

Last 7 Days

Last 30 Days

Twitter

Box Office India's Twitter avatar
Box Office India
@boxofficeindia

.@kalkikanmani @mrrajatkapoor #ShivPandit at the #Mantra trailer launch t.co/LBdnH15Rpa

Box Office India's Twitter avatar
Box Office India
@boxofficeindia

Watch the official trailer of #Trapped *ing @RajkummarRao & directed by #VikramadityaMotwane @FuhSePhantomt.co/NBaCsFRhgP

Facebook

Instagram

This Week’s Issue

TRADE GUP

  • Kabir Khan to direct Amitabh Bachchan
  • Jagga Jasoos delayed again
  • Golmaal 4 to go on floors from March 9
  • Divya Khosla Kumar to sign Akshay Kumar for next film

IN CONVERSATION

  • Bhushan Kumar talks about T-Series becoming the leading channel on YouTube.
  • Sarik Andreasyan discusses with us about releasing the first Russian film Guardians –The Superheroes in India.
  • Vipul Mehta is all set to release his Gujarati directorial debut Carry On Kesar.

FEATURES

  • On Location: Bhoomi
  • Monali Thakur talks about crooning the title track of the upcoming film Badrinath Ki Dulhania
  • Armaan Malik tells us about his experience singing songs outside the romantic genre.