Latest Updates

Hrithik to replace Salman in No Entry Mein Entry
Déjà vu for SSR as he gears up for two movies
Saif Ali Khan to play awarrior in a period film
This mega movie is back on the cards, to roll in October

Screen Short

Occasionally, on this page, we crunch some numbers to examine where the Indian film industry stands vis-à-vis the major film markets globally on various parameters.

In one such recent study, (Chinese Checkers, issue dated November 19, 2016), we had compared the Indian and Chinese box-office data and observed that despite both countries having a similarly sized population, our Eastern neighbor outperforms us by a multiple of a whopping 10 or more on almost every count – the size of the annual domestic box office, as well as the collections clocked by the highest-grossing domestic and imported films.

As we had mentioned in that note, the substantial Chinese lead can partially be attributed to the high degree of protection enjoyed by the local film industry there, with the authoritarian state restricting the number of foreign films that can be exhibited in China, and even that on unfavorable commercial terms and subject to stringent censorship.

However, another important factor that causes India to lag behind China is the vastly different levels of exhibition infrastructure available in both countries.  This week, we are exploring India’s place on the global exhibition map in further detail.

While the ‘multiplexisation’ of Indian exhibition in the last couple of decades has undoubtedly seen a significant change in the national screen count, is it adequate for a country of our size? To answer that question, we have compiled a list of some of the major film centres around the world and mapped the number of screens in these countries with their respective populations. Take a look at the table below which is arranged in descending order of screen density: 

Screen Density In A Cross-Section Of International Film Markets

CountryNumber of ScreensPopulation*People Per ScreenGlobal Rank –

Population

Global Rank –

Film Market Size

USA40,475322 million7,95031
New Zealand4204.53 million10,783127 
France5,70064.4 million11,297227
Australia2,08024 million11,524539
Spain4,00046.12 million11,5312814
Canada3,00035.94 million11,98038 
UK4,11564.72 million15,727213
Germany4,69280.69 million17,197168
Italy3,40059.8 million17,5882312
South Korea2,49250.29 million20,182276
Mexico5,977127.02 million21,2511010
Singapore2235.60 million25,130113 
China39,1941.38 billion35,10912
Russian Federation4,020143.46 million35,686911
Japan3,437126.57 million36,827114
Argentina90043.42 million48,2413215
Brazil3,098207.85 million67,091513
India8,5001.31 billion154,24125

*Source: United Nations Population Division, rounded-off

It’s a simple table to read: with 40,475 screens serving a population of around 32 crore, less than 8,000 people are served by each screen in the United States – the third most populous nation on earth, and the world’s largest film market.

Unflatteringly, despite being the world’s most prolific film producer, the second most populated and the fifth largest film market by revenue, you have to scroll to the bottom of the list to find India. Further, it’s not just that India ranks lowest amongst its peers in terms of screen availability per person, the quantum of the gap it has to bridge to be comparable with the other markets is formidable too. Leave aside the nations at the top of the table, like the US or New Zealand that have 15 to 20 times our screen density; even the second lowest ranked market in this table, Brazil, serves much less than half the people each screen in India caters to.

What is also important to note is that the 1.54 lakh people per screen figure for India is an average, and therefore most likely disguises even greater screen scarcity for large swathes of the country at the ground level. Case in point: as many as 17 screens at 4 multiplex properties are accessible in less than a five minute drive from our office in Andheri (West), Mumbai. That is more than the number of screens serving entire cities – state capitals, at that – like Bhopal, Patna, Bhubaneswar and Ranchi. It would be interesting and informative to explore the inter-city screen density in India in further detail and we shall do so soon in a forthcoming issue.

 

 

 

 

 

 

Nitin Tej Ahuja
Collection Chart
As on May 20th, 2017
FilmsWeekWeeklyTotal
Sarkar 31
7.82Cr
7.82Cr
Meri Pyaari Bindu
1
7.67Cr
7.67Cr
Chakallaspur1
10K
10K
Alien: Covenant**
1
3.00Cr
3.00Cr
Mantostaan295k7.34L
Mafia Bigg Boss210K30K
More

Featured Video

Most Viewed Articles

Today

Last 7 Days

Last 30 Days

Twitter

Box Office India's Twitter avatar
Box Office India
@boxofficeindia

Answer 10 Shanta, Sunjay Dutt’s mother t.co/dR6uImCNZi

Box Office India's Twitter avatar
Box Office India
@boxofficeindia

Answer 9 Mahesh Manjrekar’s satirical Me Shivajiraje Bhosale Boltoy t.co/jyHba9x94r

Facebook

Instagram

This Week’s Issue

TRADE GUP

  • Now, Anil Kapoor in Hollywood web series
  • Fanney Khanon track, new studio on board
  • Biopic on shooter Abhinav Bindra on target
  • PeeCee in female-oriented film from Bhansali

IN CONVERSATION

  • Siblings Huma Qureshi and Saqib Saleem get candid about Dobaara
  • The making of biographical docu-drama Sachin: A Billion Dreams

STRAIGHT NEWS

  • BFI acquires Mukti Bhawan for UK
  • Two wins for Cinestaan International Sales at NYIFF