That ‘We’ Feeling

Let us remind ourselves that in times of trouble, we don’t have to march ahead alone. Yet we don’t give the administrative bodies that represent film technicians and artists due recognition

assosication

The very moment a child is born, s/he becomes part of the family. Every family is a part of society, and there’s a committee at the helm of every society. What happens when you need something but cannot go at it alone? Obviously, you talk to the people around you – your family, society or the committee – in your quest for a solution.

Here’s another, more everyday, example. Each of us lives in either a building, or a chawl, or a bungalow, and each of these living arrangements is administered by a committee set up by the people who live in them. When problems and challenges arise, one usually needs to approach one’s housing society or committee for assistance.

Likewise, in our film industry, which we believe is one big family, we have different associations representing the interests of different categories of professionals. All these associations have been around for decades. But the one BIG question is: do we really have faith in them?
These associations were set up to represent technicians and artists, whenever the latter faced a problem that was too big for them to resolve on their own. The association was meant to engage and negotiate on their behalf.

Again, the BIG question is: do we ever approach these associations, even when we need their help? Not really.

If we believe that this industry is one big family, and these associations were formed by yesteryear actors/filmmakers, why don’t we take their legacy forward? We all say that the youth is the face of our country, and it is they who will lead our country. But the BIG question is: how many young actors/filmmakers take these association seriously?
Oh, how we love to crib and say there’s no one to lead us! Yet there is a solution to every problem – and that’s being together.

In this section of our seventh anniversary issue, we have spoken to the people at the helm of some of our industry associations. If each one has a different story to tell, the one common theme in their collective voice is the importance of their existence and their resolve to make things better. They have had done a lot so far and, they say, if they’re taken more seriously, they could do much more. It’s all about coming forward and believing in them.

If only we could get together to achieve this common objective. After all, don’t we, and the industry as a whole, stand to benefit? Here’s a heartfelt plea. Read on:

Box Office India
Collection Chart
As on 16th December, 2017
FilmsWeekWeeklyTotal
Fukrey Returns146.93CR46.93CR
Sallu Ki Shaadi102.22LK02.22LK
Galti Sirf Tumhari12.29LK2.29LK
Game Over102.97LK02.97LK
Pyar Se Bolo Devaa110.00K10.00K
Firangi276.00LK76.00LK
More

Featured Video

Most Viewed Articles

Today

Last 7 Days

Last 30 Days

Twitter

Box Office India's Twitter avatar
Box Office India
@boxofficeindia

Guess which director would be better-off working on sets than outside them?t.co/CKKZMpEXLc

Box Office India's Twitter avatar
Box Office India
@boxofficeindia

Have a look at Day Eight All India NBOC of #FukreyReturns.t.co/5qem5jlWls

Facebook

Instagram

This Week’s Issue

Trade Gup

  • What is Rajkumar Hirani’s next sequel?
  • Vishal Bhardwaj to have three releases in 2018
  • Phantom to clash with Reliance Phantom
  • Zee to acquire UTV Movies
  • Akshay Kumar, Arshad Warsi in Jolly LLB 3

In Conversation

  • A M Turaz weaves poetry into his lyrics for Padmavati
  • Laxmi Raai makes her Bollywood debut with her 50th film, Julie2
  • SVF’s Mahendra Soni breaks a record for Amazon Obhijaan
  • Milind Rao on The House Next Door and his love for horror
  • Guru Randhawa hits a high note with Ban ja tu meri rani
  • Freewheeling with Sidharth Malhotra after Ittefaq

Straight News

  • Bhutiani is jury member at Munich fest
  • Prashantt Guptha to reprise Rafi classic
  • Fox, Abundantia to make P Gopichand biopic
  • Karan Johar’s short film to roll soon

Spotlight

  • When editing, I never direct, says Chandan Arora
  • For Eeshit Narain, it all started over a cup of tea…
  • I love the modern version of my script: Kamna Chandra
  • It was very personal for me, admits Ghazal Dhaliwal