As has often been reinforced during the course of various studies on this page, multiplex revenues are, by quite a large margin, the dominant contributor to the Indian theatrical market.
On average, more than three-fourths of the national box office for Hindi films is generated by multiplexes. However, for most films – especially the so-called ‘content-oriented’ cinema that often tends to be urban-centric in terms of demand – the takings from multiplexes are even higher than that already substantial average figure. Newton, for example, collected over 99 per cent of its domestic theatrical revenues from multiplex properties.
Another observation that repeatedly crops up on this page is that of too many releases chasing too few screens, leading to most films not being able to attain their true market potential.
Take, for example, the deluge of releases just two weeks ago (January 19), when as many as ten new Hindi releases decided to try their luck – Vodka Diaries, Nirdosh, Union Leader, My Birthday Song, Medal Pet Nahin Bharta, Haq E Sailani, Sabrang, Sanjana, Shaheed-E-Azaam and Humara Tiranga.
This, when there was already a holdover of the previous week’s three Hindi releases (1921, Mukkabaaz and Kaalakaandi), and when Tiger Zinda Hai, Jumanji: Welcome To The Jungle and The Post were still occupying a fair number of screens. Moreover, it was anyway going to be a curtailed first week for these films with the much anticipated Padmaavat releasing the following Thursday, besides having a substantial number of paid previews on Wednesday (January 24). Given this state of affairs, how many screens/shows – if any – were these ten new releases expecting to corner?
This week, we are combining these two themes (the dominance of multiplexes and the glut in releases) and asking ourselves a very simple question: leave aside inadequate number of shows and sub-par show timings, how many films are unable to secure any multiplex screens whatsoever?
Let’s admit it. Despite being in the film trade, how many of us were/are aware of even the existence of many of the titles we mentioned while listing the Jan 19th releases? To explore the phenomenon of these phantom films further, we dug into our data over the years to compile the table that follows. The numbers may surprise you, and it’s by no means a pleasant surprise.
Singles Only: Hindi Releases 2009-2017
|Year||Total Releases (Hindi Films)||Released In
|Percent Of Films Not Released