Faced with the major shift in consumer behaviour, some enterprising folks are thinking up innovative ways to try and draw today’s mobile savvy audience to the cinema hall, and to keep them engaged whi
As we race towards the halfway mark in the calendar year, it is with a sense of pleasant astonishment that one looks back at what has been a quite spectacular 2018 at the box office so far.
Raazi has surpassed even the most optimistic projections of the trade by sailing past the 100-crore mark in ticket sales in the course of its third weekend in theatres.
In the midst of all the (richly deserved) hoopla around the spectacular performances of Avengers: Infinity War and Raazi, it is easy to lose sight of the more-than-decent box office foray of another f
Though we tend to assume that Christmas, Eid and Diwali releases are the most likely to make or break collections records, it is the last weekend of April – bang in the midst of the supposedly barren
CinemaCon, the annual convention of the predominantly North American but increasingly global exhibition community, seems to get bigger and better each year.
Each year, MPAA (Motion Pictures Association of America, the association of the leading Hollywood studios), releases a comprehensive statistical report on the performance of the global film industry d
In a vocation as risk-fraught as ours, and one marked by the absence of reliable tools for forecasting the likely business of films with any degree of surety, there is a widespread tendency to lean on
A few days back (April 4, 2018), a two-Judge bench of the Bombay High Court heard a Public Interest Litigation (PIL) challenging the prohibition on bringing outside food and beverages into cinema hall
The good news, as Q 1, 2018, draws to a close, is that the quarter is ending with a bang – what with Sonu Ke Titu Ki Sweety going past the Rs 100-crore mark last week, and Raid well on track to follow
